To Sleep – Review

Published On February 3, 2014 | By Jo Sutherland | Theatre & Arts Reviews & Previews

The Marlborough Theatre
30th January 2014

Madam Renards & TS Theatre present ‘To Sleep’ at The Marlborough Theatre, Brighton. Two strangers slowly and subtly bond during a night in A&E. She’s a brash and cocky seventeen year old girl. He’s a worn out middle-aged man. Both are bleeding from the wrists. Both have failed their attempts at a final goodbye. Although at their lowest points in life, an unexpected and unusual friendship blossoms between the pair, as they both look for a way out of the world. Covering one night in the lives of two star-crossed suicidals, ‘To Sleep’ is a new play by Matt Fox, which explores how people deal with the most difficult human situations and how relationships can develop between different people no matter how appalling their shared experiences might be.

Let’s start with the negatives and get them out the way. Firstly, the acting in the first twenty of the sixty minutes is a little bit wooden. At times, lines are just said without much thought or connection to the text. However, I believe there are two fair and just reasons for this:

During the first crucial minutes of the play, an audience member became unwell and collapsed in front of the stage. This may have momentarily thrown the cast off track (and fair dos)… but, to their credit, the actors handled the event with the utmost professionalism and were back on form within minutes of the incident.

The writing in that first scene isn’t particularly actor-friendly

…By which I mean; it must have been quite difficult for the actors to breathe truth into the scenario, as striking up conversation in an A&E waiting room is probably a seldom occurrence and one that’s tricky to fathom; plus it’s hard to believe that failed-suicidals would feel particularly chatty on the night of their demise. That’s not to say that it can’t be done, but I think Fox’s script lacks a certain degree of subtlety at the very beginning of the play.

As a previous NHS employee, I’m pretty sure suicide-wannabes wouldn’t be left to their own devices immediately after having their wrists stitched back together. They’d probably be under observation or something. Whereas, these two lost lambs seem to be having a chin-wag in the reception area… (unless they’re in a ward in which case the staging isn’t clear), but not a regular ‘have you been waiting long?’ conversation… no, this particular chat is about Stanley knife versus kitchen knife. It is for this reason that the writing in the first scene just doesn’t work as well as it could. I know it’s a piece of theatre and that imagination is required but the opening doesn’t flow or feel particularly natural (which I believe is the playwright’s intention). It is, therefore, a challenge on the audience’s part to suspend disbelief and engage with the characters.

In addition, some of the direction is a bit clumsy. There’s a moment when Hayley (Ellie Lawrence) “sees” the burns on Martin’s (Peter Hynds) back and comments accordingly – but Martin’s back is nowhere near her line of vision.

Saying that, after the first scene, things pick up. Suddenly Hynds and Lawrence come into their own and the chemistry between the pair develops. There are some genuinely poignant and moving moments and we can sense a real connection between the characters, despite the unlikeness of their friendship – which makes it even more beautiful to witness.

Despite dealing with the rather depressing theme of suicide, the tragedy is laced with dark comedy and there are some cracking lines in there that are well delivered. Fox boldly deals with the practicalities of ending a life and there are some gems in the script that prompt many a wry smile and guilty giggle, including:

‘Suicide is more acceptable than f*cking a minor’

‘You’re thirty-nine years old, no wonder you want to kill yourself, you’re nearly forty!’

‘Dear Unfortunate Corpse Finder…’

‘I don’t want to be found with a c*nt-full of jiz anyway’ (yes, that is an actual line)

All in all, To Sleep is tragically beautiful – this original British drama should stir up tears of both laughter and sadness. The hour long play is bound to get you thinking about life, about relationships and about the absurdity of our fragility. 

About The Writer

By day, Jo is a senior public relations professional. By night, she’s a writer. Jo initially trained as an actor at East 15 but she discovered her inner-academic five years later when she decided to study a BA in Arts Management. Jo graduated with a First and was subsequently lucky enough to secure a scholarship for a Master’s Degree in Creative & Critical Writing at Sussex University. This enabled her to do three things; 1) improve her writing skills, 2) embrace student life again / regress mentally, 3) move to Brighton! The move was only supposed to be “temporary” but she fell in love with the city. Having spent four years working in broadcast and digital PR, Jo now works for Magenta, a Brighton-based PR agency – and she began writing for as soon as she moved to the coast. Jo has a strong background in theatre, acting and creative writing. As an aspiring playwright, her primary interest lies in new writing theatre and Jo has spent the last five years exploring the London and Sussex theatre scene. And - in her spare time - she’s writing a sitcom.